RATATAT - LP4

The duo of Evan Mast and Mike Stroud returns with their aptly-titled fourth album, LP4. I learned that this album is best played loudly on a decent stereo system. Your computer speakers just will not do. I also learned that I still think Ratatat's first two albums are their best efforts. Sure, LP4 is good ("Drugs" is pretty great) but nothing on it holds a candle to previous songs like "Loud Pipes" or "Breaking Away". There are many people who say that this newer, more mature Ratatat is better but I simply cannot agree. Ratatat, we can still be friends, but my fondest memories of you lie in our past adventures together.

www.myspace.com/ratatatmusic
www.ratatatmusic.com

THE GET UP KIDS - Simple Science EP

The Get Up Kids were formed in Kansas City, Missouri, in the mid-1990s and released their debut album, Four Minute Mile, in 1997. They went on to become one of the torchbearers of the late '90s "emo" movement. But unlike Jimmy Eat World, who broke out in a big way in 2002, GUK never really achieved what I would consider mainstream success outside of the emo realm. The band broke up in 2005 with the members going on to pursue other projects (The New Amsterdams, Koufax, Blackpool Lights, Reggie and the Full Effect) but they got back together in 2009. Simple Science is their first new studio recording in six years (the last being 2005's The Guilt Show). With four songs clocking in at just over 16 minutes, it almost feels like they are testing the waters first before jumping in and releasing a new album. The music also feels like it's testing the waters. Not enough energy to really get into and not enough emotion to actually sit back and listen. Sounds very middle-of-the-road to me.

www.myspace.com/thegetupkids
www.thegetupkids.com

THE MOONDOGGIES - You'll Find No Answers Here EP

New 5-song EP from this Seattle (technically, Everett, Washington, but who likes technicalities these days) band who released their debut album, Don't Be A Stranger, in 2008. Their sophomore album, Tidelands, comes out on September 14th. Until then, if you see the Moondoggies on their tour with Blitzen Trapper, you can pick this up. The songs on here won't be appearing on the new album so you don't even have to worry about overlap. This is indie folk-rock with a heavy dose of country injected into the mix. Very laid-back stuff. Check out the vocal harmonies. I'd recommend it if you like bands like the aforementioned Blitzen Trapper or Band of Horses, Fleet Foxes, and the like.

www.myspace.com/themoondoggies
http://moondoggiesmusic.com

WE ARE SCIENTISTS - Barbara

Fourth album from these guys. They've got a new drummer - Andy Burrows, formerly of Razorlight - for this release. Barbara is definitely a return to form for We Are Scientists. It may be just as good, if not better, than their debut album With Love And Squalor. We all know how many times I've played that record, so this isn't a compliment to be taken lightly. The songs on here are catchy and are prime examples of what danceable rock and roll party music should sound like. I especially enjoy this line in "Break It Up": "If no one wants to be up all night, what's the point in even going out?" Amen, brother, amen. Now let's drink up and dance.

www.myspace.com/wearescientists
www.wearescientists.com

[[Their website is awesome. The "Advice" section is inspiring.]]

BOUNCING SOULS - Ghosts On The Boardwalk

Eighth full-length studio album from this band from New Brunswick, New Jersey. Last year, the band celebrated 20 years together by releasing a new song every month. This album collects those 12 songs so you can keep them all in one place. It's hard for me to believe that the band is actually that old because their music has such a youthful, energetic sound. Put punk, rock, pop, and fun in a blender and you will get The Bouncing Souls. They're definitely one of the best bands on the Warped Tour lineup - anyone want to take me?

www.myspace.com/bouncingsouls
www.bouncingsouls.com

THE BLACK KEYS - Brothers

I've liked the Black Keys since at least my freshman year of college. I may have heard them before then, but I can't be sure. I have no idea what song I heard by them first but I do know that "Set You Free", off of Thickfreakness, is a song that goes on just about every mix CD I make. I saw them play to a packed house at Emo's on Sixth Street in Austin during SXSW 2008. My friend had never heard them before that night and left with a new favorite band. Just a few weeks ago I ran into an old acquaintance who mentioned seeing them just recently, opening up for Pearl Jam. He also had never heard of them before the show but left with a copy of Brothers and nothing but positive words to say about them. What doesn't shock me is that everyone I know who has heard the Black Keys loves them. What shocks me is that, back in 2008, my radio DJ buddy had never heard of them and two years later, there are still people who haven't heard of them. How a band this good slips under the radar of so many music fans is something I simply cannot comprehend.

I've made it pretty apparent where my feelings lay with this band but to sum it up: I dig how the Keys are combining blues with rock and garage. Every song on Brothers is great. Patrick Carney and Dan Auerbach have done it again - they keep putting out fantastic records. If you like the Black Keys, you ought to love this album. If you've never heard of the Black Keys, there's no better time to start listening than the present. If you don't like the Black Keys, please, slip quietly out the back door. You're not welcome at this party.

www.myspace.com/theblackkeys
www.theblackkeys.com

Follow The Yellow Brick Road!

Yesterday I went to the Oz-Stravaganza festival in lovely Chittenango, NY. Chittenango was the birthplace of L. Frank Baum, the writer of The Wonderful Wizard of Oz. Along Main Street, the sidewalks are made with "yellow bricks". The signs welcoming you to the village have Oz characters on them that tell of Baum's relationship to Chittenango. Every year, the relatively small town throws a party to celebrate him and the story he created. Despite living near Chittenango my entire life, I have never gone to the festival until now. I hope to make it a yearly appointment from now on; it was a lot of fun. Here are some images of the festival's parade!


I love the old police cars in Chittenango. They remind me of The Blues Brothers.


Basically anyone dressed up as a Wizard of Oz character can march in the parade. This "Tin-Man" here was actually a "Tin-Woman". I saw her wandering around the vendor area after the parade.


This girl was dressed as Miss Gulch. While her bicycle wasn't period-appropriate, her costume was still very good and I have to give her her well-deserved kudos.


The Tin Man sat down after they passed us; he could hardly move under his bulky costume.


This was amazing.


"Big Bad Ben The Blonde Belgian" is a massive horse. Big Bad Ben lived up to his name when he left his own souvenir on the street some ways down from where we were.


The highlight for many festival-goers is seeing the actors who played the munchkins in the 1939 Wizard of Oz movie. Sadly, many of the "Munchkins" are no longer alive. There are only a few left and the parade was lucky enough to have a couple of them make appearances. One of the actors in the parade was Margaret Pellegrini, who played the "Flower Pot" Munchkin. She passed us on this golf cart, in fine spirits. Just reading her biography on the festival webpage gave me the feeling that she is an extraordinary woman.


One of the Scottish Bagpipe bands in the parade. I saw them last weekend in a Memorial Day parade but I don't think I could ever tire of seeing them. Bagpipe music reminds me of curling and I get a warm, fuzzy feeling inside.


I listen to B104.7 on the radio a lot. They play country music. Several floats used the concept of the house crushing the wicked witch but I liked this one.


I adore the King from the Burger King commercials so seeing him come walking up with Dorothy was hysterical. They were wearing signs on their backs as well. The King's read, "There's No Place Like Burger King" while Dorothy's said, "I Have A Feeling We're Not in Burger King Anymore". Cheesy advertising taking advantage of the parade? Sure. Awesome anyway? Very much so.


More guests in the parade were L. Frank Baum's great-grandson, Bob Baum, and Bob's wife, Clare.


The beginning of another bagpipe band. They were led by Dorothy and the Scarecrow. Note Dorothy's lack of ruby-red slippers.


Another guest of the parade: Caren Marsh-Doll. She was a movie actress in the 1940's, performed on Broadway, and appeared in the parade because she was Judy Garland's stand-in for the movie. I won't tell you how old she is because that wouldn't be polite, but I will say she looks decades younger than she is!


Dunkin' Donuts truck. They had nothing to do with the Wizard of Oz but I did like their characters.


Several people came out dressed up to promote next weekend's Civil War Weekend in Peterboro, NY.


The Basset Hound Rescue group was at the parade, and there were so many Basset Hounds that marched!


Not a Basset Hound; it's a Toto look-alike!



My souvenirs from the festival. The U.S. Postal Service was there offering special Oz-Stravaganza-themed postal cancellations so I got one of each.


For more information on Oz-Stravaganza, they have a website:
www.oz-stravaganza.com

From The Archive...

I have a few posts on here that never got published and are labeled as "Drafts". I deleted the ones that will never see the light of the day but this one seems to be worth posting. When I was a DJ at a college radio station, I spent a lot of time (too much time) reviewing CDs for airplay. The reviews were supposed to be short yet informative. These three reviews are ones I did for the radio station back in March of 2009. Here they are, direct from the "archive".

____________________________________


THE BRAN FLAKES - I Have Hands
Cut-and-paste laptop music created with samples. Audio collage is a very good way to describe this. They're on the same label as Girl Talk (Illegal Art), but they don't use very much mainstream stuff, opting for samples that create somewhat of a child-like experience. Truly, this is music for the ADD generation.

YOUTH GROUP - The Night Is Ours
They're Aussies and this is the band's fourth full-length. This was recorded on a boat that was turned into a recording studio. Soaring indie-pop, like if U2 crossed with Death Cab For Cutie. "What is A Life?" was on the TV show Gossip Girl and they had a song on the now-defunct The O.C., so with that in mind, we can safely assume who their target audience is.

PANSY DIVISION - That's So Gay
Formed in San Francisco in 1991, this is their eighth studio album and first since 2003. This is their second record for the Alternative Tentacles label which is run by Jello Biafra. Biafra contributes vocals to the song "Average Men" on here which is one of the best tracks on the album. If you don't know, Pansy Division plays poppy punk-rock. Most of the songs are dirty and can't be played on the radio though!

PHILADELPHIA GRAND JURY - The Good News EP

To start things off, they have a misleading name (apparently it's from a Fiery Furnaces song) since they are actually from Sydney, New South Wales. The band's lineup currently consists of Berkfinger, MC Bad Genius, and Calvin. I'm not making these names up. The sound mixes together pop, rock, punk, soul, indie, garage, and whatever other genres you can think of. These four songs are totally kickass.

Here are some reviews of the individual songs on the EP:
1. "The Good News": Kickass.
2. "Ready To Roll": Kickass.
3. "Going To The Casino (Tomorrow Night)": Kickass.
4. "Wet Winter Holiday (Mike FWD Remix)": Kickass.

"The Good News," the title track, is my favorite. Don't take my word for it though, listen to these guys. They are awesome.

www.myspace.com/philadelphiagrandjury
www.philadelphiagrandjury.com

AGAINST ME - I Was A Teenage Anarchist EP

As a prelude to the June 8th release of their latest album, White Crosses, Against Me! give us this four-track EP. Two of the songs, "I Was A Teenage Anarchist" and "Rapid Decompression" are from the album and the other two, "One By One" and "Bitter Divisions", are B-Sides. I love the energy of this band and the grit in Tom Gabel's voice. They play (punk) rock that could fill up an arena, with everyone in attendance yelling the choruses out together with their fists in the air. I dig these guys a lot and am definitely looking forward to the new album. 2010 is shaping up to be a great year in music!

www.myspace.com/againstme
www.againstme.net

THE POSTELLES - White Night EP

This is the best music the Kooks have released since their debut album!

Except, uh, this isn't the Kooks. This is the Postelles. They are a quartet from New York City and two of the songs on this EP were produced by Albert Hammond, Jr. Garage pop meets British Rock. Fantastic stuff. In fact, this is the best new music I've heard in a while and you can thank it for me coming back from my self-imposed hiatus. The only drag is that the EP only consists of three songs. The whole album is set to land on July 27th, keep your eyes and ears peeled for that one!

www.myspace.com/thepostelles
www.thepostelles.com

THE GASLIGHT ANTHEM - American Slang (single)

"American Slang" is the title track to The Gaslight Anthem's third album, due to be released in June of this year. These New Jersey boys have found the formula for producing a sound that you could expect if Bruce Springsteen fronted a punk rock band. Upbeat rock and roll with heartfelt, slightly ragged vocals and catchy melodies. I'm a big fan of The Gaslight Anthem and this single shows that we can continue to expect good things from this band. I'm sure they're only going to get bigger and bigger - how could a band this awesome not?

www.myspace.com/thegaslightanthem
www.gaslightanthem.com

PAVEMENT - Quarantine The Past: The Best of Pavement

Pavement. The kings of slacker rock. The definition of '90s indie rock. PAVEMENT.

I've been listening to the album and writing my review at the same time but I've just gone in and deleted everything I already wrote. Because what hasn't been said about Pavement already? Nothing I say here will be groundbreaking at all.

I guess I just want to let everyone know that this Best-Of now exists. But what's the point, really, of this record? If you like Pavement, you probably/should already know everything on here. If you don't like Pavement, you don't care about this release at all because it doesn't even contain any new material for you to potentially hate on. And if you've never heard of Pavement, you should start with their 1993 debut album, Slanted and Enchanted, not this gobbledy-gook of a record that ignores the chronological order of the band's releases. It's so hard to pick out what should be on a Pavement "Best-Of" (since they didn't have any huge hit singles); there's bound to be material on their actual albums that you like more than some of the selections on here.

"Silence Kid" is not on here, so clearly this collection is not "The Best of Pavement," as it advertises.

Also, I don't understand the cover art.

But Pavement is still awesome. Listen to their actual albums.

MATT and KIM - Matt and Kim; MATT and KIM - Grand

Matt & Kim's self-titled debut was released in 2006, and Grand, the follow-up, was released in 2009. I'm reviewing them now because, while scouring the internet for shows coming to my area, I found that this Brooklyn-based duo is scheduled to play around here very soon. Not many bands playing original music play near where I live, so when there is one coming to town, I usually try to go. Unless the band is awful. I set out on a quest to see if Matt & Kim are awful or if I should plan to go check them out.

The overwhelming verdict after listening to their albums is that I am most definitely going to go to their show. Both of the albums are similar in sound, so no need to split up their reviews. Upbeat drumming, keyboards, a girl drummer (represent!), and a vocalist who sings like a way cooler version of John Darnielle, though still in a very nerd-esque manner? Count me in. The songs are fun and full of energy. I dig the lyrics, too. A better, more rocking version of Mates Of State. Matt & Kim are a band that I have overlooked the past few years and I am very happy to finally have introduced my ears to them.

I can only hope that the show is filled with lots of dancing, jumping around, singing out loud, and general hijinks. See you there, hipster friends.

www.myspace.com/mattandkim
www.mattandkimmusic.com

THIS PROVIDENCE - Who Are You Now?

Who Are You Now? is This Providence's third full-length album. This Providence are a four-piece band out of Seattle, Washington, and this is their second album to be released by Fueled By Ramen records.

I was initially interested in checking out this album after hearing the fifth track on the album, "Keeping On Without You". That song reminded me of the songs on Sloan's Pretty Together, an album I hold near and dear to my heart. "Keeping On Without You" features melodic guitar with a peaceful male vocal and is one of those songs that you like immediately. While it's my favorite song on the album, there are a number of other good ones on here as well ("Squeaking Wheels and White Light," "Letdown," and "That Girl's A Trick" are just a few I especially liked).

The overall sound of This Providence could be described simply as power pop-rock. At times, the vocalist reminds me of what Jonathan Visger of Mason Proper would sound like if he fronted a pop-punk band (It's a strange comparison, I know). The songs are polished, catchy, and filled with hooks and anthemic choruses that will get you dancing and singing along right away. If you are a fan of any music in this genre, This Providence's newest will be a fine addition to your collection.

This Providence will be embarking on an extensive United States tour from March 25 through May 1, 2010; dates and venues may be viewed on their websites.

www.myspace.com/thisprovidence
www.thisprovidence.com

V/A - FANTASTIC MR. FOX - Original Soundtrack

I'm not usually a big fan of movie soundtracks but I always enjoy the ones to Wes Anderson movies, probably because the songs work together to create an overall theme. The soundtrack to his latest movie, Fantastic Mr. Fox, is an enjoyable romp through whimsical sounds and it may also drill the chants of "Boggis, Bunce, Bean" into your head, never to escape from them.

The bulk of the soundtrack consists of compositions by Alexandre Desplat, who has also written scores for movies such as The Curious Case of Benjamin Button, The Luzhin Defence, The Queen, and many, many more (including a certain vampire movie installment). Desplat does a terrific job with these songs as they conjure up images of an idyllic everyday life that is filled with heroes and villains. At the same time, the music is playful and exudes a childish charm (after all, Fantastic Mr. Fox is based off of a children's book by Roald Dahl). Further research reveals that Desplat has received an Academy Award nomination for best original score for his work here.

The rest of the soundtrack includes a few cuts by The Beach Boys (always a good time), Burl Ives (they work perfectly with this kind of movie, plus I love the line "Saw a bear, comb his hair" in the song "Fooba Wooba John"), and George Delerue. The Wellingtons' "The Ballad of Davy Crockett", which I have only heard before in snippet version in the film Back To The Future, makes an appearance here as well, along with The Rolling Stones' "Street Fighting Man". We are also given tracks by The Bobby Fuller Four, Nancy Adams, Art Tatum, and Jarvis Cocker. Cocker's track is probably the only song in my iTunes library that has a jaw harp on it. I have no idea what he is singing, but I like it.

I know some people panned the movie but I adored it (The DVD comes out on March 23 - mark your calendars or make an appointment in your Blackberry). The soundtrack is an important part of the movie and it works well on its own as well. Boggis, Bunce, and Bean.

www.alexandredesplat.net
www.fantasticmrfoxmovie.com

CHRIS JOSS - Monomaniacs Vol. 1

Monomaniacs Vol. 1 is the sixth album from Chris Joss, who is originally from France. It's another highly entertaining instrumental affair from Joss. No lyrics here, just 12 awesome, funk-influenced, 70's-vibed cuts. There's enough sounds mixed in to keep anyone occupied for a while trying to pick through all the layers. There's even some Indian sitar thrown in on the track "Kali Flowers". Highly recommended for anyone who's got a soul and likes to groove.

Just take a look at the album cover, you'll know if this is the kind of music for you or not. And if you still don't know after looking, try it out anyway.

www.myspace.com/chrisjoss
chrisjoss.free.fr

ERNEST GONZALES - Been Meaning To Tell You

When I first heard of this album, it was described as "electronic." I haven't been listening to a lot of "electronic" music lately but the cover art was too amazing for me to pass this up without a listen. The artwork was made by having a number of artists each illustrate what they saw after listening to one track off of the album and the end result for the cover combined all of the images. Very cool stuff.

Now that I've talked about the cover, how to describe the music? It is electronic, but there are also guitars on this record. I'm sure this music could be played live by a band of talented musicians. The music doesn't feel overprocessed like so many electronic records I sat through last year. Instead, it feels lush and warm: a jungle of melodic sounds. For over a year I have been searching for music in the same realm as B. Fleischmann's The Humbucking Coil: great beats, great melodies, no lyrics. This album illustrates what I've been looking for.

There's a number of great songs on this album so it's hard to pick a favorite one. I love how "Falling Asleep To The Glow Of The Television" makes me feel like I'm playing a classic Nintendo video game. "We Can Live In The Forest" is upbeat and would be suitable to play for a whirlwind romance with the couple falling in love. The album was made with Ernest's wife in mind and this track probably has something to do with their love. "When You Are Lost I Will Find You" is the epitome of the B. Fleischmann chilled-out vibe I've been searching for. I could go on and on about each of these tracks and the way they make me feel and think but instead I'll just recommend that you have a listen to the album and see what you feel. I don't think you'll be disappointed.

Been Meaning To Tell You is scheduled to be released on February 9, on Exponential Records. Exponential Records was founded in 2002 by Gonzales and DJ Jester the Filipino Fist (I'm not making that name up). This is Gonzales's second or third full-length album, I can't figure out which, and he has also released music under the moniker Theory Of Everything. Now go get this album, why are you even still reading this post?!

www.myspace.com/theoryofeverything
www.beenmeaningtotellyou.com
www.antipop.net/expblog/(Exponential Records site)

COLD WAR KIDS - Behave Yourself

Savvy Slacker Sounds readers may recall that in 2008, I reviewed the latest album by the Cold War Kids, Loyalty To Loyalty. If you don't remember, I will sum up the review: I did not like that release from these four boys from Fullerton, California.

Fast forward a little over a year; I find myself with a copy of the Cold War Kids' latest EP, Behave Yourself. I decide to give it a shot because it's just a tad over 14 minutes in length; I might as well throw it on while I do some chores. I don't know if my taste has changed since that last album review, or if they have just gotten a lot better, but I find this to be a decent release. Many of the same points I raised on that last review appear again on this one but in a different context; they are strengths instead of weaknesses.

The sound on here is one of soulful, indie rock. It seems like Nathan Willett has gotten comfortable with the sound of his own singing voice and is no longer trying to ape Thom Yorke (he still sounds like the dude from Ghostland Observatory, but not in an annoying way). He injects emotion into his words and when he sings, "Lord, have mercy on me!" in "Sermons," it sounds like he means it. While listening to this EP, I feel like the CWK have turned into a less-Southern, more soul-influenced version of the Kings of Leon. Surely that will be to their benefit as the Kings are currently on top of the music world, and the songs on this EP are better than the songs on the Kings' last release, Only By The Night.

It's good to give bands second chances; they just might surprise you with how much they've grown into their sound.

www.myspace.com/coldwarkids
www.coldwarkids.com

NOVELS

NOVELS is a project conceived by several Canadian dudes who range in popularity in the indie music scene. Personally, I only recognized the names Graham Wright and Luke LaLonde. The other three guys are Will Currie, Dean Marino, and Jay Sadlowski. In January 2009, these lads and some other musically-inclined people got together in Toronto and recorded an EP in one recording session. The end result, which is now available, is NOVELS.

Consisting of five songs, NOVELS clocks in at under 12 minutes.

-The first song, "This Wouldn't Be The Last Time," is two minutes of bouncy, jangly pop music. Very catchy, this opening song is probably my favorite of the bunch.

-The next track, "Mr. Foster's Teenage Daughter," reminds me of 50's pop and is a song you might hear for a slow-dance at a prom. Great piano intro and I love the harmonies ("ooh-wah-ooh") on this song.

-"Big Run" is the third track and I'm certain this is sung by Luke LaLonde of Born Ruffians. I'd recommend this track for people who loved Clap Your Hands Say Yeah's first album.

-"Record in Hand" is much slower, tempo-wise, than the previous tracks. Laid-back lounge indie-pop.

-The EP closes with "No Hard Feelings," which is sung by Tokyo Police Club's keyboardist, Graham Wright (I've just discovered that Graham has some solo music out which I hope to review on here in a future post). This last song is similar to the other four songs: jangly pop that goes by so quickly that even the track's runtime of 1 minute, 44 seconds, seems exaggerated.

My overall impression of these five songs is that it is a cohesive set of indie pop which everyone should listen to at least once. The good news is that NOVELS is available as a free download from the guys who made it. They are interested in having people burn copies of the music and give them away to other people so that their music may be heard. They also had a small number of limited-edition NOVELS notebooks with cd's included made up which they will give away for free. It's a great way to promote not just the music on NOVELS, but also their respective bands, and I wish them well in doing so. Now go download the EP and give it a listen.

www.okaynovels.com

SURFER BLOOD - Astro Coast

The debut from the West Palm Beach, Florida band. I got this album to review a few weeks ago but was delayed by other projects so I haven't been able to listen until now. In those short few weeks, it seems to me that the band has been labeled as the next big thing and have gotten a lot more popular.

I finally found the time to listen to Astro Coast and I hear a blend of garage pop/psychedelia/shoegaze/rock. I understand that "Swim" is the album's single and that isn't shocking; it's catchy and has a simple chorus that you'll be able to sing along to before the end of the song. I can see the big appeal to this album: it combines the pop sensibilities of a band like Vampire Weekend with the fuzz of The Jesus and Mary Chain. While so many bands are choosing to go one way (indie pop) or the other (shoegaze/experimental), Surfer Blood choose to straddle the line.

Final impression: I think some of the songs are great (album opener "Floating Vibes" and the aforementioned "Swim" make for a fine 1-2 punch) but by the end of the album the songs all seem to blend into one. I wish there was a bit more variety, is what I'm alluding to. Even so, decent.

www.myspace.com/surferblood
www.surferblood.blogspot.com

PANTS YELL - Received Pronunciation

Pants Yell! are from Cambridge, near Boston, and they formed in 2003. In the past they had a girl drummer but it seems the trio is now comprised of all dudes. If I understand correctly, Received Pronunciation is their fourth full-length and their first release for Slumberland Records. I saw this band perform in Rochester in 2006 and while I was most impressed with their bass player's good looks, I also recall them having a very poppy, "twee" sound. That sound is present on this album so I must remember their gig well enough. The nine-song album clocks in at just over 26 minutes but nonetheless is packed chock full of upbeat indie pop. The last song on this album, "To Take", is probably my favorite as it has a very nice instrumental ending. The vocalist is kind of wimpy but I suppose that is to be expected with this type of music. If you like wussy pop music you'd probably like this, it's good.

www.myspace.com/pantsyellmusic

SPOON - Transference

Let me preface this post by saying that I love Spoon. They are the band that I hear whenever I think of my freshman year of college. I fell in love with them that year and I was constantly listening to them. During my junior year of college I got to see them play in Austin, their hometown, at SXSW 2008. The crowd was huge, perhaps because it was a free show, but also no doubt because more and more people were discovering just how good Spoon is. And damn they are good.

Transference is the seventh studio full-length from Spoon. Spoon have been hailed as the kings of minimal rock 'n' roll, and this album has them maintaining that stance. The music isn't minimal like lo-fi music is often said to be; it is minimal because they don't heap on layers of unnecessary sounds. This results in more stripped down songs than you might normally hear from a 'rock band', but that doesn't mean it's not rock and roll. I don't see any of the songs on here being a breakout hit like "The Underdog" off of their last album, Ga Ga Ga Ga Ga, was, but the 11 songs on here are still satisfying and show a band who is known for its consistency continue that trend. While I'm pleased with this release, after only a few listens, it doesn't knock things out of the park for me just yet.

www.myspace.com/spoon
www.spoontheband.com

VAMPIRE WEEKEND - Contra

I'm sure there's already a million blog posts out there about this album, so I may as well throw in my two cents. I have somehow managed to avoid all reviews regarding this album, perhaps by unintentionally avoiding all music sites lately, so my opinion remains untarnished.

Contra is the sophomore album from everyone's favorite Ivy-League indie popsters, Vampire Weekend. It is very sonically similar to their self-titled debut album, though this release has them experimenting with new effects and faster tempos. The album shows a slightly more mature sound but it is not as instantly hummable as their first. I think that with time, however, it will be appreciated more than their first. It's pretty great. Overall I like this album and it will be a good way to keep warm during this cold winter we are having - it is sweet, summery pop music, with just enough complexity to make sure you're not bored but aren't overwhelmed either.

www.myspace.com/vampireweekend
www.vampireweekend.com

BLINK 182 - Blink 182

Yes, I know that this album was released in 2003. However, recently, it's been playing a lot while I'm at home so I figured I might as well write about it. I don't know what it is about Blink 182 that makes me like this album so much, but I love it. It might be that Travis Barker, whether you love him or hate him, is one of the best drummers in recent years. His drumming is intricate, adding a whole new layer to the music and fleshing out the sound for the trio. It might be that they have two different vocalists, Mark Hoppus and Tom DeLonge, who can alternate between sounding heartbroken, angry, giddy, and a wide range of other emotions. It might be that the simple lyrical content actually makes the songs stronger; they are easy to relate to and won't make you scratch your head wondering what they really mean. You just listen and bob your head and hope that the energy in these songs is transferred to you by some sort of cosmic intervention. Or it might be that these three guys write some very catchy pop songs which I just can't stop listening to. Yeah, that might be it.


www.myspace.com/blink182
www.blink182.com