TRAVIE MCCOY - Lazarus

Travis "Travie" McCoy is famous for being the frontman of Gym Class Heroes. He released his first solo album, Lazarus, in June of 2010. I really like the album's first two singles, "Billionaire" (which also features Bruno Mars, who is riding high on the charts right now with a song I cannot stand) and "Need You" so I decided to check out the rest. I've been looking for fresh new jams anyway. The album is a mishmash of pop, hip-hop, and rock elements. The singles are fantastic, as are some of the other songs (though a few are just so-so). I understand that "We'll Be Alright" is going to be Travie's third single, and there's no doubt why: it borrows from Supertramp's "Alright", and it's got hooks, it's catchy, and it's upbeat. "After Midnight" will probably be a single, too. A bunch of songs feature other famous artists so who knows, those could probably be singles too. Say what you will about these songs being overprocessed and manufactured, they're still catchy. The album is just a fun ride that you can get your swagger on to. Or something like that.

www.myspace.com/traviemccoy
www.traviemccoy.com

JEREMY JAY - Splash

This is Jeremy's third full-length album in as many years. You can find him on the K Records label. This dude is stuck in a time-warp. He sounds a lot like Morrissey on this album. The music is throwback indie-pop/rock. The entire album of nine songs clocks in at under 27 minutes long. A lot of the songs seem like they could use more fleshing out, but if you've enjoyed his other releases you'll probably like this one too. Though I still think his sophomore album, Slow Dance, is his best.

www.myspace.com/jeremyjay
www.www.krecs.com/html/artists/artistbio.php?interest=101

TELEKINESIS - Parallel Seismic Conspiracies EP

Telekinesis is the moniker of Seattle's Michael Benjamin Lerner. This is a quick little EP of five songs to tide fans over until the scheduled 2011 release of Telekinesis' sophomore album. There is a full-band version of "Calling All Doctors" and two new songs, "Dirty Thing" and "Non-Toxic". We get a faithful cover of Guided By Voices' "Game of Pricks" as well a cover of (pre-Joy Division) Warsaw's "The Drawback". Fun breezy indie pop.

www.myspace.com/telekinesismusic
www.telekinesismusic.com

WOLF PARADE - Expo 86

Wolf Parade's third album; it was released on June 29, 2010. I'm just getting around to listening to it now. I have a problem listening to new Wolf Parade material because their debut album, Apologies to the Queen Mary, is one of my favorite albums ever. That debut album holds so many memories and emotions for me. Really, nothing Wolf Parade can ever put out will compare to that album and how I feel about it.

But I do love the band so I find myself listening to their new stuff. Actually, Expo 86 is really good. I never really fell in love with At Mount Zoomer, but this one, this one is good times. Really digging it. It's got a great vibe to it. I'll never feel the same as I did with their first LP, but this is definitely worth a listen (or a few!).

www.myspace.com/wolfparade
www.subpop.com/artists/wolf_parade

JOHN K. SAMSON - Provincial Road 222

John is the frontman for The Weakerthans. Provincial Road 222 has him taking the solo route once again; this is the second of a "series of recordings exploring streets and highways in his home province", following 2009's City Route 85.

According to the Anti- website: "Provincial Road 222 runs up the side of Lake Winnipeg, north of the city, and leads to the town of Riverton, Manitoba. Samson begins the EP with "The Last And," set at Riverton Early Middle School, where a teacher ponders the disintegration of her affair with the principal. "Petition" takes the form of an online petition (www.ipetitions.com/petition/rivertonrifle/ ) by local citizens to induct native son Reggie "The Rifle" Leach, member of the legendary mid-70s Philadelphia Flyers, into the Hockey Hall of Fame. In the closing song, "Stop Error," set to a chorale by J. S. Bach, a young adult in an old house on Provincial Road 222 uses a computer to search for solace and a way to describe the world."

Samson has a voice you'll love or hate. He reminds me of John Darnielle in that not only does he have a love it/hate it kind of voice, but he writes great lyrics. Has there ever been an indie song asking for a hockey player to be inducted into the Hockey Hall of Fame? I don't know, but as a hockey lover, I don't mind. The overall feeling I get when listening to this is that it's something I'd put on late at night to unwind to. I find Samson's voice soothing and welcoming. The songs on here are all pretty sparse; I've certainly liked some of the output by his band a lot more, but if you are a fan, I'm sure you will have to have this for your collection.

The Weakerthans' Myspace:
www.myspace.com/theweakerthans
John K. Samson's artist page on the Anti- record label website:
www.anti.com/artists/view/75

BROKEN SOCIAL SCENE - Forgiveness Rock Record

May 2010 release from these kings (and queens) of indie rock. They are often described as a collective, rather than a band, as the only two constant "full-time" members are Kevin Drew and Brendan Canning. They have a rotating band of merry musicians join them both on records and live, some of whom are or have become indie rock stars on their own (Feist, members of Stars, Jason Collett, and so many others). We can consider Forgiveness Rock Record to be BSS's fourth proper studio album. I remember when this album came out that a lot of people on the 'nets kind of trashed it. It doesn't have the same intense groove as their last record; I don't see people dancing to this one like they did to jamz like "Windsurfing Nation" or "Fire Eye'd Boy". There's still some catchy stuff on here, though. I like "Texico Bitches" and "Art House Director" to get my indie rock rock-outs on to, and there's a lot of material on here to chill to as well. I wouldn't trash this record; it definitely still is BSS, just a little more of a laid-back vibe. Will I play this every day? Nope. Am I glad I gave it a chance? Yes.

www.myspace.com/brokensocialscene
www.brokensocialscene.ca

HANK AND CUPCAKES - Hank and Cupcakes EP

From Brooklyn by way of Israel (not something I get to type everyday), Hank & Cupcakes are here to entertain you/rock you/move you. Cupcakes sings and plays drums while Hank lays down the bass. The EP kicks off with two songs sure to get you out on the dance floor, "Ain't No Love" and "Pleasure Town". Cupcakes is cool and confident as she delivers her lyrics. The third track, "Roses", shows her as more emotional and vulnerable and is more the type of song where people will wave their lighters (or cell phones these days) than shake their booty. The album closes with a cover of Joy Division's "She's Lost Control". I've heard a number of bands try this cover, often with disastrous results. H&C keep it together, though, and manage to deliver an interesting take on the song. The EP is just a brief introduction to the band but shows them in fine form.

From what I've heard, the duo are a great live act and they will be embarking on a Fall 2010 tour this November, with dates along the East Coast. Check their Myspace for more details and shows near you.

www.myspace.com/hankandcupcakes
www.hankandcupcakes.com

MATT & KIM - Sidewalks

Matt & Kim, the too-cute couple duo from Brooklyn, present their third full-length album. Their sound hasn't changed too much from their previous albums: upbeat indie pop/rock with nerdy male vocals. Fans of previous albums should be pleased. I'm personally not as crazy about this as I was for their first two albums, but I could see this growing on me if I give it more spins. I don't think it's as immediately catchy as their previous releases, but it seems to have more potential for staying in rotation. The songs seem to have more happening and won't wear thin after a few plays. So for that, it could very well end up being my favorite album by these two kids. For those that are curious, "Cameras" is the album's first single and "AM/FM Sound" is my favorite track after my first play of the album in its entirety.

www.myspace.com/mattandkim
www.mattandkimmusic.com

WEEZER - Hurley

Weezer's eighth studio album. I remember back in 2003/2004 when Weezer fans wondered if there would even be a fifth album (eventually, 2005's Make Believe solved that dilemma). Now, Weezer has released three albums over the past three years, and by the few recent interviews with frontman Rivers Cuomo that I've read, they aren't planning on waiting multiple years between albums anymore. We'll see how that works out, though.

Anyway, Hurley is named after Jorge Garcia's character from the show LOST and features Mr. Garcia on the cover as well. I guess no one knows what this has to do with the album itself, so we'll just continue on our merry way. I've listened to this album a few times now and I guess the best way to sum it up is that it sounds exactly like how a Weezer album is supposed to sound these days. Alternative pop. Just the typical upbeat power-pop/rock sound that we've come to expect from these guys. I mean, it's not bad, but it's not all that memorable either. I know that a lot of people, myself included, listen to new Weezer albums when they come out for catalog completion's sake. But after that, we rarely return, instead opting for Weezer classics like "Blue" or Pinkerton. So, thanks, Hurley, it was kind of fun while it lasted -- now go back in your case.

www.myspace.com/weezer
www.weezer.com

GHOSTLAND OBSERVATORY - Codename: Rondo

The duo from Austin, Texas returns with their fourth studio album. These two dudes, Aaron Behrens and Thomas Turner, have got to be some of the most likable weirdos in the musical world right now. Their weirdness continues on this album. The title track involves the narrator instructing someone who has the codename of "Rondo" to purchase him a Slurpee, amongst other tasks. This whole idea would seem preposterous for most bands, but Ghostland pulls it off without a hitch. "Kick Clap Speaker" features a computer voice that sounds eerily similar to the one in Radiohead's "Fitter Happier". There's not really a lot of Behrens' natural high-pitched vocals on this album, which I am a bit disappointed by. Other than that, though, the songs all have a good beat and I'm sure people at parties would love to dance to this while swirling their glow sticks in the air. Yet another inherently odd album from these guys, but it's still interesting stuff. Dirty electro/rock/dance/wtf from these dudes. This album officially comes out on October 26th, on the duo's own Trashy Moped Recordings. Dig it.

SEE THE SNEAK PEEK FOR THE NEW ALBUM HERE: http://www.youtube.com/trashymoped

www.myspace.com/ghostlandobservatory
www.ghostlandobservatory.net
www.trashymoped.com

PERSONAL AND THE PIZZAS - Raw Pie

As I've discovered, the summer months are not the optimal time for me to review music. Swimming, running and biking, baseball games, and more means I'm not spending a lot of time indoors to listen to some tunes. I've got a huge backlog of music to listen to, and Personal and the Pizzas certainly haven't helped when I do get a moment to put on an album. Why? Because when I do have time to listen, all I want to put on is Raw Pie.

I happened onto this New Jersey band by accident, but I stuck around after hearing "I Don't Wanna Be No Personal Pizza". Once I heard the rest of the album, I knew these guys would forever hold a special place in my music collection. They wear their musical influences (Do I even have to spell them out? Ramones, Stooges (love the album's title nod to the Stooges' third album), etc.) on their sleeve but they are smart enough to know how to do it right. The spoken intros to some of the songs, the high percentage of songs devoted to pizza, and of course, the tight garage rock playing all combine to make one gloriously fun album. This should be the next soundtrack to your late night parties; if it isn't, you're just not doing it right. Happy Pizza Pie Friday, or more appropriately, Happy Personal and the Pizzas Friday!

www.myspace.com/personalandthepizzas
They are members of the 1-2-3-4-GO! Records family: www.1234gorecords.com

RA RA RIOT - Boy EP

Ra Ra Riot were formed in Syracuse, NY, so I always feel a sense of hometown pride when I hear them mentioned (even though I'm not from Syracuse and most people from Syracuse probably have never heard of the town where I grew up or the town where I now live). Nonetheless, their ascent to the indie rock royalty throne is certainly a story that will inspire kids from these parts for years to come. You could even call them a comeback story. At any rate, this band is a major player in the indie scene and beyond - but we're all wondering, can they repeat the success of their debut, The Rhumb Line?

The initial response to that question comes in the form of Boy, a quaint EP of three songs that clocks in at just over 10 and a half minutes long. The first song, the title track, is the only one that will also make an appearance on The Orchard, RRR's sophomore album that is scheduled to be released on August 24."Boy" is also the best track on here; hopefully, it is an indication of what the full-length album will be like. It's got great drums and an upbeat tempo. Our favorite string instruments give the song texture that most bands could only dream of. Love the bubbling bassline and that quickie guitar solo. Fantastic.

The other two songs on this ("Saccharin and the War" and "Keep It Quite (Bear)") didn't strike me as immediately as "Boy" did and while they would be at the top of the output heap for many other bands, I know Ra Ra Riot can do better. These songs are "growers" and maybe I'm just being too judgmental - I didn't have to wait for "Ghost Under Rocks" or "Dying is Fine" to grow on me since I was instantly attracted to them! I am enjoying these other two the more I listen, but still. I have very high standards here and hope for more instant attraction with the rest of the new material.

Definitely looking forward to The Orchard based off the strength of "Boy". August 24, here we come.

www.myspace.com/rarariot
www.rarariot.com

THE LOVE LANGUAGE - Libraries

Libraries is North Carolina's The Love Language's second album. I liked their first album and I like this one, too. I like the faster songs the most - they are at their best when they get the tempo cooking and the instruments rocking and everyone singing and yelling and making noise all at once. File under: indie/college pop/rock.

www.myspace.com/thelovelanguage
thelovelanguage.com

THE WAVES - Shock Horror!

The Waves were the predecessors to Katrina and the Waves. Shock Horror, their 1983 debut EP, was recently re-released to celebrate the 25th anniversary of the hit single "Walking On Sunshine" which was found on 1985's Katrina and the Waves. Shock Horror is chock-full of guitar-driven pop and New Wave music. I like it a lot. It has a "We recorded this in our garage and it still sounds awesome" vibe to it and it just seems really badass. I also have to mention the fact that there is a song on here called "Strolling On Air" - I guess it just didn't have the right ring to it to be a hit song but at least they tried again.

www.katrinaandthewaves.com/

TEEN INC. - Fountains / Friend Of The Night

From Los Angeles, Teen Inc. was formed by the sibling duo of Daniel and Andrew Aged. They were both studio musicians (apparently for big-name artists like Pharell and Raphael Saadiq) so we know right off the bat that they've got the playing chops, but can they write their own stuff? I decided to give this single a listen after hearing it being compared to Prince. I suppose the vocals do have a Prince-like feel, but they're buried so far in the mix that they don't have the same confidence attached to them that Prince puts on his. The music does have a funk appeal to it but I'm not impressed yet. I could see myself giving a Teen Inc. full-length album a spin to see what happens to them, but it's not going to be on the top of my list.

www.myspace.com/teenincstuff
www.teen-inc.net

THE DRUMS - The Drums

The Brooklyn quartet finally releases their first full-length album, after tempting us constantly with singles and an EP. They sound like they came straight out of the 1980's post-punk/indie scene. I'm shocked they're not British. Their music is great and if they're not huge by the time I post this review then I am sure they will blow up soon. Recommended if you like The Smiths, Voxtrot, that sort of thing.

www.myspace.com/thedrumsforever
www.thedrums.com

TOKYO POLICE CLUB - Champ

I've been holding off on writing about this album for a few weeks now because I haven't been sure just how to describe my feelings about it. I don't have a lot of time right now to wax poetically, so here's the shortened review: My favorite new release, so far, of 2010.

www.myspace.com/tokyopoliceclub
www.tokyopoliceclub.com

STARS - The Five Ghosts

Fifth full-length from Canada's Stars. For me, this band is the perfect soundtrack to cold winter nights spent dreaming of your crush. I've always described them to others (okay, maybe just myself) as having a romantic sound. Their sound is just so warm and welcoming and Amy Milan's angelic voice plays perfectly off of Torq Campbell's. Great for indie kids to make out to and fall in love to. They also have their fair share of songs that will be great background noise for you while cry over the fact that you've broken up with said indie kid counterpart.

Anyway, I'd file them under Canadian-romantic-indie-synthpop-pop-rock (not that I actually WOULD file them under that, because that would just be a ridiculous way to organize my music collection). The Five Ghosts starts off strong with "Dead Hearts" which is followed by a few great songs (I especially like "I Died So I Could Haunt You"). But by the time I've gotten through the fifth track, "We Don't Want Your Body", I feel like they've spent their tank of gas and are just running on fumes. I think the material on this album could have made for a killer EP. As a full-length album, it just doesn't hold up - especially when we know what Stars are capable of from their past releases.

www.myspace.com/stars
www.youarestars.com

DEVO - Something For Everybody

DEVO!!! How could you not be excited? This is their ninth studio album and first since 1990. It's fantastic, ridiculous new-wave pop music. Great lyrics. Catchy stuff. It's DEVO! How could you not like it?

www.myspace.com/devo
www.clubdevo.com

BORN RUFFIANS - Say It

Second full-length from Toronto's Born Ruffians. Another exercise in well-crafted indie-pop that jangles along the way. Luke LaLonde continues his yelp-laden, marbles-in-mouth-sounding vocals. I think he sounds more confident on this release. I'd still recommend this band for fans of cutesy pop music, Vampire Weekend, and Clap Your Hands Say Yeah. Not too much has changed.

www.myspace.com/bornruffians
www.bornruffians.com

RATATAT - LP4

The duo of Evan Mast and Mike Stroud returns with their aptly-titled fourth album, LP4. I learned that this album is best played loudly on a decent stereo system. Your computer speakers just will not do. I also learned that I still think Ratatat's first two albums are their best efforts. Sure, LP4 is good ("Drugs" is pretty great) but nothing on it holds a candle to previous songs like "Loud Pipes" or "Breaking Away". There are many people who say that this newer, more mature Ratatat is better but I simply cannot agree. Ratatat, we can still be friends, but my fondest memories of you lie in our past adventures together.

www.myspace.com/ratatatmusic
www.ratatatmusic.com

THE GET UP KIDS - Simple Science EP

The Get Up Kids were formed in Kansas City, Missouri, in the mid-1990s and released their debut album, Four Minute Mile, in 1997. They went on to become one of the torchbearers of the late '90s "emo" movement. But unlike Jimmy Eat World, who broke out in a big way in 2002, GUK never really achieved what I would consider mainstream success outside of the emo realm. The band broke up in 2005 with the members going on to pursue other projects (The New Amsterdams, Koufax, Blackpool Lights, Reggie and the Full Effect) but they got back together in 2009. Simple Science is their first new studio recording in six years (the last being 2005's The Guilt Show). With four songs clocking in at just over 16 minutes, it almost feels like they are testing the waters first before jumping in and releasing a new album. The music also feels like it's testing the waters. Not enough energy to really get into and not enough emotion to actually sit back and listen. Sounds very middle-of-the-road to me.

www.myspace.com/thegetupkids
www.thegetupkids.com

THE MOONDOGGIES - You'll Find No Answers Here EP

New 5-song EP from this Seattle (technically, Everett, Washington, but who likes technicalities these days) band who released their debut album, Don't Be A Stranger, in 2008. Their sophomore album, Tidelands, comes out on September 14th. Until then, if you see the Moondoggies on their tour with Blitzen Trapper, you can pick this up. The songs on here won't be appearing on the new album so you don't even have to worry about overlap. This is indie folk-rock with a heavy dose of country injected into the mix. Very laid-back stuff. Check out the vocal harmonies. I'd recommend it if you like bands like the aforementioned Blitzen Trapper or Band of Horses, Fleet Foxes, and the like.

www.myspace.com/themoondoggies
http://moondoggiesmusic.com

WE ARE SCIENTISTS - Barbara

Fourth album from these guys. They've got a new drummer - Andy Burrows, formerly of Razorlight - for this release. Barbara is definitely a return to form for We Are Scientists. It may be just as good, if not better, than their debut album With Love And Squalor. We all know how many times I've played that record, so this isn't a compliment to be taken lightly. The songs on here are catchy and are prime examples of what danceable rock and roll party music should sound like. I especially enjoy this line in "Break It Up": "If no one wants to be up all night, what's the point in even going out?" Amen, brother, amen. Now let's drink up and dance.

www.myspace.com/wearescientists
www.wearescientists.com

[[Their website is awesome. The "Advice" section is inspiring.]]

BOUNCING SOULS - Ghosts On The Boardwalk

Eighth full-length studio album from this band from New Brunswick, New Jersey. Last year, the band celebrated 20 years together by releasing a new song every month. This album collects those 12 songs so you can keep them all in one place. It's hard for me to believe that the band is actually that old because their music has such a youthful, energetic sound. Put punk, rock, pop, and fun in a blender and you will get The Bouncing Souls. They're definitely one of the best bands on the Warped Tour lineup - anyone want to take me?

www.myspace.com/bouncingsouls
www.bouncingsouls.com