GIRLS - Broken Dreams Club EP

My first impression of this is that it just sounds depressing. It really could be music for you to listen to as you think about your broken dreams. We get lyrics like "Who wants something real, you could have nothing. Why not just give up, who wants to try?" on the song "Substance" and this offering from the song "Heartbreaker": "There's a voice in the back of my head that says you're always going to be alone". I just can't really get into music with such obviously sad and lonely lyrics. If I'm down in the dumps, I want music that is going to make me happy, not remind me of how crappy I feel. And if I'm already happy, I certainly don't want to be brought down. So this stuff isn't my cup of tea, but maybe it could be yours if you like downer indie-hipster music. Or whatever. I do like the horns on the opening track. I just wish people wouldn't call Girls a "rock and roll band", I mean, seriously, if this is a rock and roll band then I have no idea what the world is coming to.

www.myspace.com/girlssanfran
www.truepanther.com/#/artists/girls

EXPATRIATE - In The Midst Of This

This album was first released in 2007 but is just now seeing its full US release. Expatriate are from Sydney, Australia, but they now live in Berlin. Remember a few years ago when there was a big explosion of bands influenced by Joy Division and the darker sounds of post-punk? Surely you remember Interpol, Editors, and their less-famous counterparts. Well, Expatriate's album falls into the same genre as those bands. So if you like that kind of music, this will suit you quite nicely. If you don't like that kind of music, I can't help you here. "Crazy" is a pretty catchy song. The album cover reminds me of Wire's Pink Flag.

www.myspace.com/expatriateband
www.expatriateband.com

WILDLIFE - Strike Hard, Young Diamond

They're from Toronto and this is their debut album. I like it. They sound like a band I already know and love. Put this on and tell your friends it is the new Wolf Parade, they won't bat an eyelash.

www.myspace.com/wildlifemusic1

THE LONELY FOREST - The Lonely Forest EP

The Lonely Forest is a quartet from Anacortes, Washington. They've been making music for several years; their first EP was released in 2006. Their self-titled EP, however, marks their first release for Death Cab For Cutie member Chris Walla's Trans record label. Apparently, The Lonely Forest were the first band to be signed to Trans. I'm not surprised because their music is really good and it bears a likeness to DCFC's sound: driving indie rock. The two bands could tour together and they would work perfectly with each other. The Lonely Forest's vocalist, John Van Deusen, sounds like Michael Stipe at times (except you can understand what Van Deusen is saying). The music has great dynamics with soaring, full-on choruses and laid-back verses. Recommended.

www.myspace.com/thelonelyforest
www.thelonelyforest.com

DVAS - Society

I think their logo is really cool. They are a Canadian electro group. They're playing upbeat, danceable electro pop. Some tracks have vocals, others are entirely instrumental. It's not going to be the first thing I recommend to others, but it's okay. It's not the most memorable stuff. I imagine it sounds better live and better when played loud. "Questions" is a really cool jam. "Giving It All Away" inexplicably reminds me of Genesis' "Invisible Touch". Actually, the whole record has a definite 80s influence to it. I think I'd play this record at a party where people were encouraged to dance but dancing wasn't the focus of the evening's activities, if that makes any sense at all to people that are not me.

www.myspace.com/dvasmusique
dvasmusique.com

SOMEONE STILL LOVES YOU BORIS YELTSIN - Let It Sway

The third album for the group from Springfield, Missouri. Let It Sway was produced by Death Cab For Cutie's Chris Walla. I've never listened to them before this album because somehow I thought they were wimpy twee pop (OK, so I know why I thought that but I'm not revealing it on here). As it turns out, they play something closer to fun indie pop. I suppose it is kind of wimpy, but it's not any wimpier than Death Cab (probably why Chris Walla was a good choice to work on this album). So it's not bad, really. I'm glad I gave it a chance, it's pretty alright. Makes me wish I was out in the sun somewhere soaking up the rays.

www.myspace.com/boris
www.sslyby.com

AGAINST ME - White Crosses

The fifth proper studio album for Gainesville, Florida's Against Me!. I would classify their sound on this album as punk arena rock. They sound big, like Bruce Springsteen, but they've also got their punk rock roots. My favorite Against Me! songs are the ones that tell stories about their main characters, like "Thrash Unreal" off of New Wave and now, from this album, "Because of the Shame". I don't think White Crosses is the best album of 2010, but it's a pretty good listen nonetheless.

www.myspace.com/againstme
www.againstme.net

THE WHITE STRIPES - Under Great White Northern Lights

Released in March of 2010, Under Great White Northern Lights is both a White Stripes live CD and the name of a documentary film about them. The material was recorded during their tour of Canada in the summer of 2007. We hear many of their hit songs on this album, including "Fell In Love With A Girl", "Blue Orchid", and "Icky Thump". We get to hear the minimalism the two-piece employs (employed?) in their live shows as well as Jack White's unrestrained, raggedy live vocals (though, at times, he is a bit much because while the man's got heart, he doesn't exactly have the pipes). We also see how much energy the band generates during their performances, which is probably the highlight of this recording. The White Stripes aren't playing note-for-note renditions of their studio recordings; these are raw, garage-worthy performances, yet the crowd goes nuts over them. A true testament to the power of a great rock 'n' roll band.

www.myspace.com/thewhitestripes
www.whitestripes.com

TRENT REZNOR AND ATTICUS ROSS - The Social Network

Score to David Fincher's The Social Network, perhaps the biggest movie of 2010. It has a sort of nervous/anxious feel to it, driven by the emotions in the movie. According to Mr. Reznor himself: "Musically, this all came out of our secret laboratory - electronic in basis, but mostly organic sounding. Lots of experiments and emphasis on sound fraying around the edges while focusing on the proper emotional tone for the various scenes." My favorite track is far and away "In the Hall of the Mountain King". For an electronic-based song, it totally rips. I like to listen to this album while I'm doing my computer science homework, so that I can visualize myself becoming a billionaire programmer like Mark Zuckerberg. It's just enough to have in the background to keep my mind from wandering yet still focused on the task at hand.

www.nullco.com/TSN

EDDY CURRENT SUPPRESSION RING - Rush To Relax

The Australian band's third full-length record. Their post-punk/garage-punk sound reminds me of Gang of Four or Wire. If I remember correctly, this one is more subdued than their last release (Primary Colours). Even so, these guys have their sound down and they know what they are doing. Good stuff.

www.myspace.com/eddycurrentsuppressionring
www.ecsr.com.au

THE GASLIGHT ANTHEM - American Slang

I love this band. That's really all you need to know.

www.myspace.com/thegaslightanthem
www.gaslightanthem.com

ELI "PAPERBOY" REED - Come and Get It

This is Eli's third full-length album and his first for the Capitol label. He's from the Boston area, but you probably wouldn't know it from listening to his music. His style is soul music and he'll have you wondering if Come and Get It isn't really a forgotten Stax/Motown record. At the same time, it sounds fresh and new. This is a fantastic album. Kick out the jams with "Explosion", take some advice with "Come and Get It", enjoy the horns and harmonies on "Tell Me What I Want To Hear". Whatever you do, you should enjoy this album.

www.myspace.com/elipaperboyreed
www.elipaperboyreed.com

DEFIANCE, OHIO - Midwestern Minutes

This is the fourth full-length from this Columbus, Ohio-based band. As it turns out, they release all of their music for free download on their website. Pretty cool, because if this album is an indication, all of those downloads are worth your bandwidth (and any donations to the band you can afford to make). Midwestern Minutes is acoustic punk rock. It definitely has a country bend to it thanks in part to the violin, cello, and upright bass they employ on their recordings. I'd go see this band if they played a show near me. Dig it.

www.myspace.com/defianceohio32
www.defianceohio.terrorware.com

LCD SOUNDSYSTEM - 45:33

This came out in 2006. You've probably heard of it already. I'm reviewing it for personal reasons. This was put out to be a soundtrack for when you go for a run. I guess it was commissioned by Nike, at least that's what I've heard. It's basically just a bunch of LCD Soundsystem ideas that are knitted together into one very long track. "Someone Great" off of Sound of Silver is definitely reused in here, minus the vocals. There may be other LCD tracks that are recycled as well, but I'm not familiar with them as much as I would be with "Someone Great". I probably would not run to this. I don't really see the point. It doesn't really move me. I also find the vocoder voices annoying. If I want to listen to LCD Soundsystem, I'll listen to regular albums, not this thing.

www.myspace.com/lcdsoundsystem
www.lcdsoundsystem.com

ELLIOTT SMITH - An Introduction To...

When you sit down to think about it, it's hard to believe that it's been over seven years since Elliott Smith died on October 21, 2003. I first heard of Elliott when his posthumous album, From A Basement On The Hill, was being released. While I listened to that album a bunch of times (Prior to buying it, I actually streamed the album's preview on dial-up internet, which was totally worth the effort), I'm certainly not one to say I'm a huge Elliott Smith fan. I like him a lot, but his music tends to depress me, so I don't play it very often. Still, the man was an amazing musician.

An Introduction To... is a quick little look into the songbook of Elliott Smith's solo career. There's at least one song from each of his solo albums, with XO only getting one and Either/Or showcasing five. The songs aren't in chronological order, something that irritates me when compilation albums are put together. There really isn't anything new here for current fans. The collection is put together for people who have never heard [much] of Elliott's music (hence the title). I'm sure we could argue for hours about which songs should or shouldn't have been included on here. But we can't change the tracklisting now, so there wouldn't be much of a point in doing that. Instead, we can remember Elliott Smith and the fact that he was a great songwriter and put on some of his albums.

http://www.myspace.com/elliottsmithnewmoon
www.sweetadeline.net

TRAVIE MCCOY - Lazarus

Travis "Travie" McCoy is famous for being the frontman of Gym Class Heroes. He released his first solo album, Lazarus, in June of 2010. I really like the album's first two singles, "Billionaire" (which also features Bruno Mars, who is riding high on the charts right now with a song I cannot stand) and "Need You" so I decided to check out the rest. I've been looking for fresh new jams anyway. The album is a mishmash of pop, hip-hop, and rock elements. The singles are fantastic, as are some of the other songs (though a few are just so-so). I understand that "We'll Be Alright" is going to be Travie's third single, and there's no doubt why: it borrows from Supertramp's "Alright", and it's got hooks, it's catchy, and it's upbeat. "After Midnight" will probably be a single, too. A bunch of songs feature other famous artists so who knows, those could probably be singles too. Say what you will about these songs being overprocessed and manufactured, they're still catchy. The album is just a fun ride that you can get your swagger on to. Or something like that.

www.myspace.com/traviemccoy
www.traviemccoy.com

JEREMY JAY - Splash

This is Jeremy's third full-length album in as many years. You can find him on the K Records label. This dude is stuck in a time-warp. He sounds a lot like Morrissey on this album. The music is throwback indie-pop/rock. The entire album of nine songs clocks in at under 27 minutes long. A lot of the songs seem like they could use more fleshing out, but if you've enjoyed his other releases you'll probably like this one too. Though I still think his sophomore album, Slow Dance, is his best.

www.myspace.com/jeremyjay
www.www.krecs.com/html/artists/artistbio.php?interest=101

TELEKINESIS - Parallel Seismic Conspiracies EP

Telekinesis is the moniker of Seattle's Michael Benjamin Lerner. This is a quick little EP of five songs to tide fans over until the scheduled 2011 release of Telekinesis' sophomore album. There is a full-band version of "Calling All Doctors" and two new songs, "Dirty Thing" and "Non-Toxic". We get a faithful cover of Guided By Voices' "Game of Pricks" as well a cover of (pre-Joy Division) Warsaw's "The Drawback". Fun breezy indie pop.

www.myspace.com/telekinesismusic
www.telekinesismusic.com

WOLF PARADE - Expo 86

Wolf Parade's third album; it was released on June 29, 2010. I'm just getting around to listening to it now. I have a problem listening to new Wolf Parade material because their debut album, Apologies to the Queen Mary, is one of my favorite albums ever. That debut album holds so many memories and emotions for me. Really, nothing Wolf Parade can ever put out will compare to that album and how I feel about it.

But I do love the band so I find myself listening to their new stuff. Actually, Expo 86 is really good. I never really fell in love with At Mount Zoomer, but this one, this one is good times. Really digging it. It's got a great vibe to it. I'll never feel the same as I did with their first LP, but this is definitely worth a listen (or a few!).

www.myspace.com/wolfparade
www.subpop.com/artists/wolf_parade

JOHN K. SAMSON - Provincial Road 222

John is the frontman for The Weakerthans. Provincial Road 222 has him taking the solo route once again; this is the second of a "series of recordings exploring streets and highways in his home province", following 2009's City Route 85.

According to the Anti- website: "Provincial Road 222 runs up the side of Lake Winnipeg, north of the city, and leads to the town of Riverton, Manitoba. Samson begins the EP with "The Last And," set at Riverton Early Middle School, where a teacher ponders the disintegration of her affair with the principal. "Petition" takes the form of an online petition (www.ipetitions.com/petition/rivertonrifle/ ) by local citizens to induct native son Reggie "The Rifle" Leach, member of the legendary mid-70s Philadelphia Flyers, into the Hockey Hall of Fame. In the closing song, "Stop Error," set to a chorale by J. S. Bach, a young adult in an old house on Provincial Road 222 uses a computer to search for solace and a way to describe the world."

Samson has a voice you'll love or hate. He reminds me of John Darnielle in that not only does he have a love it/hate it kind of voice, but he writes great lyrics. Has there ever been an indie song asking for a hockey player to be inducted into the Hockey Hall of Fame? I don't know, but as a hockey lover, I don't mind. The overall feeling I get when listening to this is that it's something I'd put on late at night to unwind to. I find Samson's voice soothing and welcoming. The songs on here are all pretty sparse; I've certainly liked some of the output by his band a lot more, but if you are a fan, I'm sure you will have to have this for your collection.

The Weakerthans' Myspace:
www.myspace.com/theweakerthans
John K. Samson's artist page on the Anti- record label website:
www.anti.com/artists/view/75

BROKEN SOCIAL SCENE - Forgiveness Rock Record

May 2010 release from these kings (and queens) of indie rock. They are often described as a collective, rather than a band, as the only two constant "full-time" members are Kevin Drew and Brendan Canning. They have a rotating band of merry musicians join them both on records and live, some of whom are or have become indie rock stars on their own (Feist, members of Stars, Jason Collett, and so many others). We can consider Forgiveness Rock Record to be BSS's fourth proper studio album. I remember when this album came out that a lot of people on the 'nets kind of trashed it. It doesn't have the same intense groove as their last record; I don't see people dancing to this one like they did to jamz like "Windsurfing Nation" or "Fire Eye'd Boy". There's still some catchy stuff on here, though. I like "Texico Bitches" and "Art House Director" to get my indie rock rock-outs on to, and there's a lot of material on here to chill to as well. I wouldn't trash this record; it definitely still is BSS, just a little more of a laid-back vibe. Will I play this every day? Nope. Am I glad I gave it a chance? Yes.

www.myspace.com/brokensocialscene
www.brokensocialscene.ca

HANK AND CUPCAKES - Hank and Cupcakes EP

From Brooklyn by way of Israel (not something I get to type everyday), Hank & Cupcakes are here to entertain you/rock you/move you. Cupcakes sings and plays drums while Hank lays down the bass. The EP kicks off with two songs sure to get you out on the dance floor, "Ain't No Love" and "Pleasure Town". Cupcakes is cool and confident as she delivers her lyrics. The third track, "Roses", shows her as more emotional and vulnerable and is more the type of song where people will wave their lighters (or cell phones these days) than shake their booty. The album closes with a cover of Joy Division's "She's Lost Control". I've heard a number of bands try this cover, often with disastrous results. H&C keep it together, though, and manage to deliver an interesting take on the song. The EP is just a brief introduction to the band but shows them in fine form.

From what I've heard, the duo are a great live act and they will be embarking on a Fall 2010 tour this November, with dates along the East Coast. Check their Myspace for more details and shows near you.

www.myspace.com/hankandcupcakes
www.hankandcupcakes.com

MATT & KIM - Sidewalks

Matt & Kim, the too-cute couple duo from Brooklyn, present their third full-length album. Their sound hasn't changed too much from their previous albums: upbeat indie pop/rock with nerdy male vocals. Fans of previous albums should be pleased. I'm personally not as crazy about this as I was for their first two albums, but I could see this growing on me if I give it more spins. I don't think it's as immediately catchy as their previous releases, but it seems to have more potential for staying in rotation. The songs seem to have more happening and won't wear thin after a few plays. So for that, it could very well end up being my favorite album by these two kids. For those that are curious, "Cameras" is the album's first single and "AM/FM Sound" is my favorite track after my first play of the album in its entirety.

www.myspace.com/mattandkim
www.mattandkimmusic.com

WEEZER - Hurley

Weezer's eighth studio album. I remember back in 2003/2004 when Weezer fans wondered if there would even be a fifth album (eventually, 2005's Make Believe solved that dilemma). Now, Weezer has released three albums over the past three years, and by the few recent interviews with frontman Rivers Cuomo that I've read, they aren't planning on waiting multiple years between albums anymore. We'll see how that works out, though.

Anyway, Hurley is named after Jorge Garcia's character from the show LOST and features Mr. Garcia on the cover as well. I guess no one knows what this has to do with the album itself, so we'll just continue on our merry way. I've listened to this album a few times now and I guess the best way to sum it up is that it sounds exactly like how a Weezer album is supposed to sound these days. Alternative pop. Just the typical upbeat power-pop/rock sound that we've come to expect from these guys. I mean, it's not bad, but it's not all that memorable either. I know that a lot of people, myself included, listen to new Weezer albums when they come out for catalog completion's sake. But after that, we rarely return, instead opting for Weezer classics like "Blue" or Pinkerton. So, thanks, Hurley, it was kind of fun while it lasted -- now go back in your case.

www.myspace.com/weezer
www.weezer.com

GHOSTLAND OBSERVATORY - Codename: Rondo

The duo from Austin, Texas returns with their fourth studio album. These two dudes, Aaron Behrens and Thomas Turner, have got to be some of the most likable weirdos in the musical world right now. Their weirdness continues on this album. The title track involves the narrator instructing someone who has the codename of "Rondo" to purchase him a Slurpee, amongst other tasks. This whole idea would seem preposterous for most bands, but Ghostland pulls it off without a hitch. "Kick Clap Speaker" features a computer voice that sounds eerily similar to the one in Radiohead's "Fitter Happier". There's not really a lot of Behrens' natural high-pitched vocals on this album, which I am a bit disappointed by. Other than that, though, the songs all have a good beat and I'm sure people at parties would love to dance to this while swirling their glow sticks in the air. Yet another inherently odd album from these guys, but it's still interesting stuff. Dirty electro/rock/dance/wtf from these dudes. This album officially comes out on October 26th, on the duo's own Trashy Moped Recordings. Dig it.

SEE THE SNEAK PEEK FOR THE NEW ALBUM HERE: http://www.youtube.com/trashymoped

www.myspace.com/ghostlandobservatory
www.ghostlandobservatory.net
www.trashymoped.com